Wednesday Walkthrough: Bint Mbareh

A person sat on stage with a desk in front of them, they are working on a laptop with other tech equipment placed on the desk. A person in the crowd is in the foreground of the photo taking a photo with their phone camera.
Courtesy of the artist
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Join us for a Wednesday Walkthrough – a gallery tour where artists, experts, researchers and academics give short talks in their field of expertise relating to the concepts explored in our current exhibition. This season, we are presenting a major new commission by the Palestinian artist duo Basel Abbas and Ruanne Abou-Rahme who work together across sound, image, text, installation and performance. This exhibition features the artists’ largest multi-media installation to date, celebrating their significant contribution to the field of research driven audio-visual art, exploring songs, poems and daily acts of resistance.

Bint Mbareh presents the work of the exhibition through the lens of how folklore can be a contemporary resource for resistance. The walkthrough will particularly focus on Palestinian folklore passed through sound which proves to be difficult to catch and cage by oppressors. Bint Mbareh will invite the audience to consider the ways of transmitting sound that both respects it and keeps it secret from those seeking to exploit it.

Access

Find information about getting here and our building access and facilities here.

This event will be held in the Galleries. Meet at Reception.

Speakers will use microphones.

This event is wheelchair accessible.

If you have any questions around access or have specific access requirements we can accommodate, please get in touch with us by emailing info@nottinghamcontemporary.org or phoning 0115 948 9750.

Bint Mbareh is a sound researcher with a focus on water in Palestine. Her interest in the physical parallel between the water wave and the sound wave leads her into questions of border dissolutions (between bodies, between states, between tenses), and into the possibility of being enveloped by the voice, by sounding communally similarly to being enveloped by a water body. She challenges settler colonial epistemology by taking seriously palestinian ways of knowing, from rain-summoning music to shrine pilgrimage as an instigator to political revolution.

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