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Untitled, 2010 coloured woodcut mounted on canvas (detail)  200 x 600cm. Photograph by Alistair Overbruck

Untitled, 2010 coloured woodcut mounted on canvas (detail) 200 x 600cm. Photograph by Alistair Overbruck

Installation view, Gallery 1. Photograph by Alistair Overbruck

Installation view, Gallery 1. Photograph by Alistair Overbruck

Gert and Uwe Tobias, untitled, 2009. Coloured woodcut on paper. Courtesy of cfa, Berlin, Copyright the Artists/VG Bildkunst Bonn. Photo: Alistair Overbruck

Gert and Uwe Tobias, untitled, 2009. Coloured woodcut on paper. Courtesy of cfa, Berlin, Copyright the Artists/VG Bildkunst Bon.

Installation view, Gallery 1. Photograph by Alistair Overbruck

Installation view, Gallery 1. Photograph by Alistair Overbruck

Installation view, Gallery 1. Photograph by Alistair Overbruck

Installation view, Gallery 2. Photograph by Alistair Overbruck

Untitled, 2010. Coloured woodcut on paper, 216 x 194cm. Photograph by Alistair Overbruck

Untitled, 2010. Coloured woodcut on paper, 216 x 194cm. Photograph by Alistair Overbruck

Art - Exhibitions

Gert and Uwe Tobias

16 Jul 2010 - 02 Oct 2010

Gert and Uwe Tobias’ large woodcuts, gouache paintings, typewriter drawings and ceramic sculptures combine influences from traditional folk art and abstract art from the early 20th century. Their vividly coloured images, objects and environments evoke a world that is hallucinatory and strange. Twin brothers, Gert and Uwe grew up in Translyvania, then Germany. Nottingham Contemporary is their first UK exhibition in a public gallery.



The Romanian twin brothers create very large scale, vividly coloured and intricately realised woodcuts. This ancient technique with roots in both fine art and popular culture playfully unite allusions to the early 20th century European avant-garde – and the decorative and dark folk mythologies of their native country.


Gert and Uwe Tobias were born in Brasov, Romania, in 1973, in the Translyvanian region. Growing up in a closed society under the former Romanian dictator Nicolae Ceausescu, they were taught about the brutal historical defender of Romania - Vlad III “the Impaler”. When the family moved to Germany in 1985 they encountered Dracula, his pop-cultural scion, who has spawned at least 650 films since the 1920s. Returning to Romania as adults the brothers re-encountered the area’s traditional folklore – including handcrafts, costumes and ceremonies.


Their shared visual language incorporates a cast of characters that are comic, animalistic, disturbing or bizarre. The centrepiece of their exhibition is a 6 metre woodcut, made up of a number of different prints. The work is shown in the entire installation they have created, turning the primitive into the contemporary. In addition to the woodcuts, the exhibition includes watercolour paintings, drawings made with old-fashioned typewriters and handmade ceramic sculptures. Cabinets contain collages that allude to the Romanian tourist industry.


Both haunting and alluring, the exhibition plays with the viewer’s own image bank. Their masks, birds and skeletons remain cheerful and ghoulish enigmas. Alongside the woodcuts their playful and elegant typewriter drawings reference the work of El Lissitzky and his revolutionary use of typographic elements as illustration. Lissitzky’s exhibition designs of the 1920s and 30s may also have helped to inspire the staging of their own exhibitions, where art works in several mediums are displayed in a dynamic painted environment.


They have created a set of hand coloured limited edition etchings, postcards and a poster for Nottingham Contemporary, available in our shop.

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Added Thursday, 30 September, 2010
Very very good and amazing!!!! Iloved it
Lism
 
Added Friday, 30 July, 2010
Looks interesting.
Suzanne Monaghan

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